Mainline Florida: Link to Mainline Florida.
A happiness you can’t find alone
But what am I supposed to do?
Sitting bedside
Holding that little hand
Quiet breaths, calm
Just us
A happiness you won’t find alone
Time so fast
Can’t stop the clock hands
Can’t go backwards
I’m supposed to do what?
Say to whom
All the days, but not enough
Wanting eternity
Even in sickness, not health
No words are said
I hear the silence
Our hands are quiet
But not still
Her skin is real
Her grip almost gone
I have her
Her hand is steady
Is this what I’m supposed to do?
I don’t want to be alone
I’ll never be happy, but wait
With her memory I’ll never be alone
And then
One day.
©️
She said she’d save me a seat.
“Where are you?”
A desperate plea -no, scream!
I’m ready to join her to take my place.
But, like a crowded market or bazar
I won’t be able to find her.
Too much noise and dust, animals and laughter.
Sitters, runners, carts and carriages.
Smoke with the glint of sunlight.
Running children, dogs bark.
Sellers selling
Mayhem and…
Well, I’ll never find her.
Which street, on what block?
Whose storefront or tent?
Officials in creaky cars crawling across the square
near sidebars of dealing and stealing.
Animals everywhere.
No one notices.
Help me find her.
“No, I have no currency”
It’s been hours.
Birds screeching.
I’m lost, careening
toward mayhem.
Can’t hear her or see her in the chaos.
This can’t be heaven.
I’m lost.
©️
She grabbed my elbow and walked with me
Two hands on my left arm
Stride-for-stride
Passing Bar Tulia
For Florida a brisk night
Lingering sunset
Looking west
Palm tree silhouette
I smile …she smiles back
Stride-for-stride
It’s no heart attack
Just our evening ride
We exist
They all stare
And ask
Who are they?
It happens every where
Every night we’re
Stride-for-stride
©️
From my CHRISTMAS cruise…
Bernini’s works stand out as centerpieces in every room in which they are found. David, Apollo and Daphne, The Rape of Proserpine, each comes alive as you walk around it, defying belief that they are made of stone.
One that is perhaps less dramatic, but nevertheless awe-inspiring (especially as he completed it at twenty years old), is his Aeneas, Anchises, and Ascanius. The image captures the moment in the Aeneid when the three figures escape from Troy to make their way to Italy, where they will eventually become the heroic progenitors of Romulus, Remus, and the Roman people.
Aeneas bears his father Anchises on his shoulder, Anchises carries a vessel with the ashes of their ancestors and figures of their household gods, and behind follows Aeneas’ son Ascanius carrying the eternal flame of Troy. Three generations, all carved from a single block of stone, united as an image of past, present, and future.
What jumps out immediately is the weight of Aeneas’ father, which bears down on him as he seeks to escape. The burden of the old man, whose skin appears, even in stone, to hang loosely over atrophied muscles, shows itself in Aeneas’ bent posture and taut muscles. He must carry his father, who in his piety keeps his gods and ancestors close at hand, while also protecting and leading his son.
The image is all the more striking, though, as it is one that can speak so powerfully to our own times, as we too are struggling under the weight of our past.
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